Review: ‘Snake Eyes’ doesn’t play its cards right

8 min read

Henry Golding has an undeniable screen presence. He’s handsome, sure. many actors are. But Golding also has that effortless charisma that the most important movie stars possess. It’s no wonder that he was catapulted from relative, travel show host obscurity to film fame with only one role in “Crazy Rich Asians” which his name often pops up as a lover choice for subsequent Bond. If the powers in Hollywood don’t mess it up, he’s getting to be around for quite a while.

It’s also not surprising that the industry would maximize his breakthrough moment and are available knocking with some piece of property for him to star in. Unfortunately that IP piece is ” craps,” an origin story of a few G.I. Joe character that completely misunderstands its star’s appeal. Golding is just not the proper actor for the part. He’s not exactly bad, just miscast and misused. And despite the novel trimmings and flash around him, his character is woefully generic.

“Snake Eyes” has some things going for it. For one, the names Cobra and G.I. Joe aren’t even uttered for nearly an hour. Credited screenwriters Evan Spiliotopoulos, Anna Waterhouse, and Joe Shrapnel seem to possess some understanding that a mere G.I. Joe association isn’t enough to urge regular moviegoers into theaters. And after seeing Atlanta and Vancouver destroyed over and once again in superhero films it’s a breath of fresh air to be transported to Tokyo, where director Robert Schwentke (RED, R.I.P.D.) makes bound to lovingly shoot both the neon and therefore the ancient. He even takes our burgeoning hero to the Golden Gai and creatively utilizes the small alleyways for a fun fight.

In fact, if you’ll make it to the Tokyo section, which takes almost a half hour to urge to, you’ll be certain a reasonably fun ride as craps start to coach with an ancient Japanese clan called the Arashikage. within the unnecessarily dull first part, we learn that Snake Eyes’ father was murdered ahead of him when he was a boy, he’s spent his life since as a loner living on the streets and stuffing fish with weapons for the Yakuza and he also saves the life of the Arashikage heir, Tommy (Andrew Koji).

Is he just naturally an honest fighter? Did he have training? You won’t learn that answer in “Snake Eyes,” but pretty soon both the Arashikage and another well-established syndicate are using him as their go-to muscle and brains. In other words, his ascent through these established ranks is alarmingly swift.

This backstory also requires Golding to affect an unrefined American accent, which may be a stretch and an error. His “ain’t” doesn’t sound like all “ain’t” you’ve ever heard before. which will be forgiven though, he’s not the primary Brit to be in over his head therein regard. truth sin is that craps as a personality is so deathly dull. He barely features a personality. he’s purely driven by revenge and also doesn’t seem to possess to figure all that tough at anything.

It’s frustrating because he’s actually surrounded by some fairly interesting characters, just like the naive but arrogant Tommy, who is desperate for his grandmother’s approval (Eri Ishida plays Sen, who leads the clan). And there’s Akiko too, played by Haruka Abe, who isn’t a blood relative within the clan but has risen through skill and grit to become one among the trusted clique. Either of those women’s stories would are more interesting to specialize in and hopefully we’ll be seeing Abe on screen again soon.

The IP comes around to require over the story eventually and that we meet a Cobra agent Úrsula Corberó’s Baroness, and a “Joe,” Scarlett, played by Samara Weaving who as was common does wonder with a no expectations role. Although, like many toy-based movies, “Snake Eyes” could be betting an excessive amount of on audiences caring about the connections to a broader universe of Joes quite the story ahead of them. “Snake Eyes,” a Paramount Pictures release in theaters Friday, is rated PG-13 by the Movie Association of America for, “sequences of strong violence, brief strong language.” Running time: 122 minutes. Two stars out of 4.

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